W. Adams & Sons "Columbia" Luncheon Plate, c. 1850
- Regular price
- $42.00
- Sale price
- $42.00
- Regular price
-
A beautiful mid-19th-century Staffordshire transferware luncheon plate in W. Adams & Sons’ “Columbia” pattern, featuring a romantic architectural landscape with a grand Gothic-style structure, water, trees, and elegantly dressed figures. The scene is framed by an elaborate border of scrolling foliage, floral sprays, and delicate linear ornament, creating the richly layered look that makes early Adams transferware so appealing.
"Columbia" is a well-documented William Adams & Sons pattern, with examples dating to approximately 1840–1855. The pattern was produced in multiple forms, including plates and smaller pieces, and is particularly recognizable for its picturesque architectural scenery and elaborate floral border. A museum example of an 8¾-inch Columbia plate is dated 1840–1855 and identified as transfer-printed earthenware made by Adams, William & Sons in Staffordshire.
W. Adams & Sons was one of the important Staffordshire pottery firms of the early Victorian period. The Adams family had been involved in the Staffordshire Potteries for generations, and William Adams & Sons became particularly well known for its transfer-printed earthenware and ironstone wares. The W. Adams & Sons mark was used from approximately 1819–1864, placing this example comfortably within the firm's early Victorian production.
The smaller luncheon-sized form makes this especially charming for collecting and tablescapes, while the scenic subject and detailed border give it plenty of presence despite its more modest scale.
Origin: Staffordshire, England
Maker: William Adams & Sons
Pattern: Columbia
Date: c. 1840–1855
Material: Earthenware
Decoration: Blue transferware
Dimensions: 9.5" diameter
Condition: Antique condition with age-related crazing, discoloration, and minor imperfections consistent with age and use. Please see photographs for details.
Please Note: Antique transferware naturally varies from piece to piece. Differences in the flow and intensity of the transfer, color saturation, pattern clarity, crazing, staining, discoloration, and other signs of age are to be expected. These variations are part of the character and beauty of antique ceramics, and each piece will have its own individual appearance.